Rescheduled from 10/26/23 - All tickets honored

The Disco Biscuits

Why We Dance Tour

with Karina Rykman

Fri, March 15, 2024

State Theatre

Doors: 7:00pm - Show: 8:00pm - all ages

$45 advance
$50 day of show

Buy tickets in person (without fees) at the State Theatre box office Fridays 10am-5pm, or the night of any State Theatre show starting 1 hour before doors. Please note that ticket prices may fluctuate based on demand.

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The Disco Biscuits

The Disco Biscuits VIP Experience
• One (1) General Admission show ticket
• Early entry to each venue + early access to merch
• Pre-show soundcheck
• Group photo with the band
• Limited edition show poster
• Commemorative laminate & lanyard


The Disco Biscuits are an entirely different band today than they were when they first broke out of Philadelphia in the mid-90s. That’s not to say that they’ve abandoned their foundation, switched gears or set sail for distant shores. The Disco Biscuits are still very much the pioneers of “trancefusion,” bridging the gap between electronic music and jam bands. They still remain rock pioneers whose soul belongs as much to marathon dance parties as it does to live improvisational journeys. They still employ emerging technologies to help them create music that is 100 percent human although, perhaps, not entirely of this earth.

Karina Rykman

Acclaimed singer-songwriter-bassist Karina Rykman announces today’s premiere of “Joyride,” the first single and title track from her debut album, JOYRIDE, arriving via AWAL on Friday, August 18. Pre-orders are available now. Equal parts thick bass, ethereal synths, disco-funk guitar, and silky, inviting vocals, “Joyride” – which features signature lead guitar from JOYRIDE co-producer Trey Anastasio – expertly captures Rykman’s jubilant brand of sonic exploration, bridging an array of genres to arrive at her own compelling and original take on psychedelic indie rock.

“’Joyride’ is about being driven insane as you’re kept awake by music in your head all night – so much so that eventually, you give up and ask your partner to take you on a joyride instead of tossing and turning,” says Rykman. “This is doubly humorous because I’m an un-licensed born and raised Manhattanite, and as a result, must be driven everywhere!”

Born and raised in New York City, Karina Rykman’s musical path began in her early teens playing in bands whenever she could while attending a veritable ton of live music as a fan. Her remarkable prowess on the bass guitar soon landed her a number of high-profile television gigs spanning America’s Got Talent to backing up pop star Julia Michaels on TODAY. By the end of her senior year at NYU, Rykman’s virtuoso talent and infectious spirit saw her invited to join pianist Marco Benevento’s band (as recommended by Ween bassist Dave Dreiwitz), with whom she performed countless shows including dates with Vulfpeck, Dispatch, The Claypool Lennon Delirium, Guster, and many more.

Rykman soon formed her own namesake band, accompanied by Adam November (guitar, loopers, effects) and Chris Corsico (drums). She quickly earned a reputation as a mesmerizing, unmissable live act, lighting up an array of international stages with headline sets, show-stealing festival performances (including Bonnaroo, Peach Music Festival, and Sweetwater 420 Fest), shows alongside Khruangbin, Guster, and The Disco Biscuits (among others), and recent appearances sitting in with the 8G Band on NBC’s Late Night with Seth Meyers.

That same spellbinding power was soon captured on a series of independent singles, including “Elevator” and the million-streaming “Plants,” both of which have now been newly enhanced for Rykman’s debut album, JOYRIDE. Written and recorded with childhood friend, producer Gabe Monro, the album serves as a vivid canvas for Rykman’s vibrant expression and chameleonic songcraft. JOYRIDE features Trey Anastasio as co-producer and featured musician, contributing guitar on five of the album’s nine tracks.

The collaboration is the outcome of a happenstance encounter when both artists performed at 2021’s Peach Music Festival in Scranton, PA. Anastasio took a profound interest in being a part of Rykman’s debut album, offering the use of Anastasio’s storied Vermont studio The Barn along with the suggestion to work with renowned mixer Bryce Goggin (Pavement, Swans, Ramones).

“Trey and I hadn’t seen each other since pre-pandemic,” says Rykman. “But at this music festival, he ran up to me and referred to each of my singles by name. I had no idea he knew what I was up to, musically speaking. I went to middle school with his daughters, and we’ve been ‘family friends’ for a long time, but it wasn’t until that moment in July 2021 that he really became a musical peer. The amount of selflessness and care he has shown in his mentorship toward me is awe-inspiring. I could never thank him enough for all he’s given me.”

“When I first heard the early demos, the first thing I said was more Karina,” says Anastasio. “Turn up the bass, sing more, and step out. What makes me most happy about the finished album now is that to my ears, it sounds like Karina unapologetically. It has her nature. It has her incredible joyous outlook that I know is real because I saw it in her when she was a kid.”

“You only get to make your first album once,” she says, “and I couldn’t be prouder of what we created with this one. It’s a moment in time – the first of what I hope to be a lifetime of making records and touring behind them. I don’t care about bells and whistles; I’m just addicted to playing.”