WELCOME TO NIGHT VALE is a twice-monthly podcast in the style of community updates for the small desert town of Night Vale, featuring local weather, news, announcements from the Sheriff’s Secret Police, mysterious lights in the night sky, dark hooded figures with unknowable powers, and cultural events.
The Haunting of Night Vale, starring Cecil Baldwin and Symphony Sanders and featuring original music by Disparition will finish up its world tour in 2023 throughout the US.
This is your last chance to catch the fun and beautiful Haunting of Night Vale Live Show, that delighted and freaked out audiences across the world.
“Cecil and Carlos are building a new house for themselves, but strange occurrences and ghostly encounters are plaguing the construction process. It’s probably nothing. After all, how could a house be haunted before it’s even done being built?”
This story will never be told on the podcast, plus, our live shows bring the audience into the story in surprising and thrilling ways. It’s a unique experience that you can’t get from listening to the podcast at home! This live show is entirely stand-alone, so bring a friend and introduce them to the town of Night Vale, too.
Mal Blum’s forthcoming EP, Ain’t It Nice, bridges indie rock and Americana and centers Blum’s lyrical work as they approach themes of exploration, isolation and longing. Blum will release Ain’t It Nice on April 15, 2022 with lead singles “Stockpiled Guns & TV Dinners,” and “Candy Bars & Men”.
From the opening twang of warbling slide guitar, it’s clear this is a different kind of record for Blum, who partnered with a new collaborator, producer Kyle Andrews. Andrews provided most of the instrumentation for the record. Besides stunning guest vocals from Laura Stevenson on third track, “Everybody Loves You” the duo are behind every sound on the EP.
Though the songs bely an immediate intimacy, Blum and Andrews have actually never met. They were paired up for a virtual co-writing project through their shared music publisher (Terrorbird), and became unlikely collaborators across a screen. From California and Wisconsin, respectively, they sent each other ideas, takes, and edits until they had fashioned the six songs that make up Ain’t It Nice.
“It’s funny, this record is built around themes of travel and the open road and searching and connection, but was created in so much isolation” Blum shared.
Motifs of grief, longing, and missing the rambling life, fit quite naturally within the country genre. However, the shift in sound from Blum’s earlier work could be likened to a multitude of factors: the collaboration with Andrews, and Blum’s voice dropping lower, for one. Influences of John Prine and Wilco, and an inability to record with their band during COVID likely contributed as well.
“There’s a lot you can’t control right now. If you want to share your art, just share it.”
Blum offers some of the rawest and most creative work of their career, including their tendency towards lyrics that, in their particularity, manage to cut to the core of universal life experiences. “Just this once, boy, I don’t mind being your secret. Never liked sugar much but now and then I need it,” they sing on “Candy Bars & Men,” a track that feels both vulnerable and universal in its combination of secrecy, desire, bliss and shame.
For Blum, Americana has been its own sort of homecoming. Though the genre hasn’t always embraced its LGBTQ creators and fans, “The fact of the matter is we’re here. We’ve been driving down those roads, we’ve been in those motel rooms, we’ve been everywhere.”