98.9 WCLZ presents

Marcus Mumford

with The A's

Sat, November 5, 2022

State Theatre

Doors: 7:00pm - Show: 8:00pm - all ages

$110, $75, $65 - reserved seating

The State Theatre box office will open 1 hour before doors night of show.

Effective April 1, the State Theatre will no longer require proof of vaccination or a negative COVID test for patrons attending performances & events unless required by Artist, in which case we will post the requirement on the individual event page. Masks are optional unless required by Artist. It is important to check each event’s individual event page for updated COVID entry protocols before coming to the venue.

CLICK HERE for our full Health & Safety policy.

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Marcus Mumford

On September 16, Capitol Records will release Marcus Mumford’s debut solo album, (self-titled). Produced by Blake Mills (Alabama Shakes, Jim James), the album includes features from Brandi Carlile, Phoebe Bridgers, Clairo and Monica Martin. See below for track listing.

Today, as the album pre-order launched, he shared the lead-off track, “Cannibal.” Listen HERE. View the accompanying video HERE. Fans who pre-order the digital album will instantly receive “Cannibal.”

Mumford is a founding member of Mumford & Sons, which has topped the Billboard 200 with three of its four studio albums. The band has won numerous awards, including GRAMMY®s for Album of the Year and Best Long Form Music Video, two BRITs and an Ivor Novello award.

The A’s

The A’s is Amelia Meath (Sylvan Esso, Mountain Man) and Alexandra Sauser-Monnig (Daughter of Swords, Mountain Man). The duo’s debut album FRUIT is wild, weird cosmic cowboy songs performed on hair, ice chunk, nylon shorts, gravel, guitar, and more. The brand new project from longtime friends and collaborators is introspective, immersive, and illustrative with a bright, strong fully realized aesthetic vision — a gleeful explosion both bewitching and calming simultaneously. The tracks here run the gamut from original music to covers of standards, from gentle acoustic folk, to yodeling and a cappella, to hushed synth moments, threaded together with the through line of Meath and Sauser-Monnig’s voices.